|
MADONNA WITH THE LONG NECK by PARMIGIANINO 2 ![]() In a book I have on sex in art, the beginning is
mostly pictures of Greek vases depicting enjoyable blowjobs, Roman statues with
proud extra large dicks, and Hindu temples covered in gods fucking each other's
brains out. Then you hit Christianity, a painting of a man and woman hanging
naked in Hell for their sins (sexual sins we assume because one is hanging by
his genitals, The Last Judement by
Giotto), and so the eroticism of Western art begins. There is nothing like the
repression of Christian morality to make things really erotic. The impossible
taboo on healthy sex and the erect dick dumped the job of supplying sexual
stimuli to a furiously masturbating public into the lap of art. On and on
Western art went educating its rapt audience into new ways of gazing on sex and
her dark sister, Death, with the church was its biggest patron. In an effort to attract errant Protestants, the
church made the first corporate advertising decision, to use the attraction of
sex in its religious paintings. Before sex was just a simple common urge and
the lofty term love was reserved for God alone, but this changed when sexual
ecstasy appeared in religious painting. The unholy union of sex and love, which
has been feverishly entertaining us ever since, was an artistic brainstorm and
I am proud when I see this machination of the Western mind so flawlessly
accomplished in Mannerist painting, known for it's artifice and conceits. My favorite Artist for sheer sexual insanity is Parmigianino,
a Mannerist painter of beautiful elongated distortions. Sex is more alluring
when she treads on forbidden ground so what could be more jarringly exciting
than a sexy Mother of God? Well, how about a sexually active Baby Jesus, the
guy who went through the entire Bible without having sex. In Madonna with the
long neck, painted in the most elegant terms, our Baby languorously exposes
himself to a bevy of excited angelic creatures, (I see thousands of Protestants
flocking to the mother church for more) while his mother gracefully touches
herself. But it's OK because Mary can do no wrong, her finger only lingers
above her breast which is centrally located, the erect nipple emphasized by the
drapery of her robe. Jesus on the other hand is having such a good time he is
practically sliding off mom's lap. Sex with mom, another erotic no-no. Can it
get any better? Yes, she's a virgin and he's underage, (perhaps they thought
all Protestants were perverts). Whether the artist meant it or not, (he died a mad
man at 37) his exquisite artificiality is sexy - her too small head, her long
semi erect neck. But it is not
pornography, it is more complicated; one is aroused without being able to admit
it, and since a sin of this nature is incomprehensible - suddenly we are
floating, safely lost in the beauty of the painting - the moment of panic is
gone. The little perverted thrill swims back under the ocean of subconscious
with its belly full and a smile on its dangerous little face. But just in case
you didn't get the message, there is that stiff line of erect Viagra-like
columns behind her, and just to throw you off again there's that tiny man
reading in the corner. I could go on and on, in Madonna after Madonna, (the
Madonna De La Rosa, our favorite virgin, is holding the naked Baby Jesus in one
arm while she fingers a rose that looks very similar to his little set of
family jewels) but these Madonnas are not the first goddesses to dabble in the
sexual pool. Heathen Greeks did it all the time along with homosexuality, but
their gods were lessons in the subconscious terrain, while Catholic Gods are
such boring moralistic pillars of goodness that it's good to see them having a
little agony and ecstasy |
©2008 Mary Woronov