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HENRIETTA SHORE 1880 - 1963
Henrietta
shore was one of LA's early moderns. She broke away from the senic painters of
nature, to concentrated on a single plant or tree or leaf. This was a giant
steat the time;To paint a simple plant without its surrounding reality was the
beginning of the reductive
abstraction that American art is famous for (for more on this read LA'S EARLY
MODERNS, first chapter by Victoria Daily). Unfortunately, history has allowed
only one female artist in this area and so while they are still writing books
on Okeefe., Henrietta is covered in cobwebs to almost all except the people
working at Sothoby's. Unlike Okeefe's repetitive vaginal meanderings through a
pastel desert, Shore's paintings were about the soul of the plant itself, the strength
of a plant to grow patiently in one spot for years, or of an Indian girl carrying water on her head. Shore's color is intense
like that of a small ordinary California plant blooming on the ground with a
green like no other green ever seen before, like that of an emerald discovered
in the dark velvet corner of your Aunt's jewelry box. The
first picture I saw of Shore's is also the picture that made me fall in love
with her work. It is a drawing of a tree, but it is also a drawing of strength
and nobility, if trees can claim nobility and I think they can. The strength
comes from all the wrong things -- The picture is only ten by twelve inches
small, it's a simple pencil and paper drawing of stark black and white, a tree
standing alone without the surrounding earth or sky to accompany it. The real
strength of this drawing comes from the fact that the tree is practically two
trees that threaten to tear apart the whole but instead they join together in a
unity that is stronger than any single tree. The theme of unity from Eastern
religions was popular in Shore's time and I don't think this was an accident on
her part, Rather it is a cry against the binary system that gives us good
verses evil, a system that separates us from the god head, a curse that forbids
us to fly with the angels but prohibits us from running with the animals. But
without the binary system we would be lost, without cold how could we ever
describe hot, and without struggle we would not have such a thing as unity - we
would only have a fat tree. |
©2008 Mary Woronov